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by Plato, translated by Benjamin Jowett.

December, 1998 [Etext #1580]

*******The Project Gutenberg Etext of Charmides, by Plato*******
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Master of Balliol College
Regius Professor of Greek in the University of Oxford
Doctor in Theology of the University of Leyden


in Balliol College and in the University of Oxford who during fifty years
have been the best of friends to me these volumes are inscribed in grateful
recognition of their never failing attachment.

The additions and alterations which have been made, both in the
Introductions and in the Text of this Edition, affect at least a third of
the work.

Having regard to the extent of these alterations, and to the annoyance
which is naturally felt by the owner of a book at the possession of it in
an inferior form, and still more keenly by the writer himself, who must
always desire to be read as he is at his best, I have thought that the
possessor of either of the former Editions (1870 and 1876) might wish to
exchange it for the present one. I have therefore arranged that those who
would like to make this exchange, on depositing a perfect and undamaged
copy of the first or second Edition with any agent of the Clarendon Press,
shall be entitled to receive a copy of a new Edition at half-price.


The Text which has been mostly followed in this Translation of Plato is the
latest 8vo. edition of Stallbaum; the principal deviations are noted at the
bottom of the page.

I have to acknowledge many obligations to old friends and pupils. These
are:--Mr. John Purves, Fellow of Balliol College, with whom I have revised
about half of the entire Translation; the Rev. Professor Campbell, of St.
Andrews, who has helped me in the revision of several parts of the work,
especially of the Theaetetus, Sophist, and Politicus; Mr. Robinson Ellis,
Fellow of Trinity College, and Mr. Alfred Robinson, Fellow of New College,
who read with me the Cratylus and the Gorgias; Mr. Paravicini, Student of
Christ Church, who assisted me in the Symposium; Mr. Raper, Fellow of
Queen's College, Mr. Monro, Fellow of Oriel College, and Mr. Shadwell,
Student of Christ Church, who gave me similar assistance in the Laws. Dr.
Greenhill, of Hastings, has also kindly sent me remarks on the
physiological part of the Timaeus, which I have inserted as corrections
under the head of errata at the end of the Introduction. The degree of
accuracy which I have been enabled to attain is in great measure due to
these gentlemen, and I heartily thank them for the pains and time which
they have bestowed on my work.

I have further to explain how far I have received help from other labourers
in the same field. The books which I have found of most use are Steinhart
and Muller's German Translation of Plato with Introductions; Zeller's
'Philosophie der Griechen,' and 'Platonische Studien;' Susemihl's
'Genetische Entwickelung der Paltonischen Philosophie;' Hermann's
'Geschichte der Platonischen Philosophie;' Bonitz, 'Platonische Studien;'
Stallbaum's Notes and Introductions; Professor Campbell's editions of the
'Theaetetus,' the 'Sophist,' and the 'Politicus;' Professor Thompson's
'Phaedrus;' Th. Martin's 'Etudes sur le Timee;' Mr. Poste's edition and
translation of the 'Philebus;' the Translation of the 'Republic,' by
Messrs. Davies and Vaughan, and the Translation of the 'Gorgias,' by Mr.

I have also derived much assistance from the great work of Mr. Grote, which
contains excellent analyses of the Dialogues, and is rich in original
thoughts and observations. I agree with him in rejecting as futile the
attempt of Schleiermacher and others to arrange the Dialogues of Plato into
a harmonious whole. Any such arrangement appears to me not only to be
unsupported by evidence, but to involve an anachronism in the history of
philosophy. There is a common spirit in the writings of Plato, but not a
unity of design in the whole, nor perhaps a perfect unity in any single
Dialogue. The hypothesis of a general plan which is worked out in the
successive Dialogues is an after-thought of the critics who have attributed
a system to writings belonging to an age when system had not as yet taken
possession of philosophy.

If Mr. Grote should do me the honour to read any portion of this work he
will probably remark that I have endeavoured to approach Plato from a point
of view which is opposed to his own. The aim of the Introductions in these
volumes has been to represent Plato as the father of Idealism, who is not
to be measured by the standard of utilitarianism or any other modern
philosophical system. He is the poet or maker of ideas, satisfying the
wants of his own age, providing the instruments of thought for future
generations. He is no dreamer, but a great philosophical genius struggling
with the unequal conditions of light and knowledge under which he is
living. He may be illustrated by the writings of moderns, but he must be
interpreted by his own, and by his place in the history of philosophy. We
are not concerned to determine what is the residuum of truth which remains
for ourselves. His truth may not be our truth, and nevertheless may have
an extraordinary value and interest for us.

I cannot agree with Mr. Grote in admitting as genuine all the writings
commonly attributed to Plato in antiquity, any more than with Schaarschmidt
and some other German critics who reject nearly half of them. The German
critics, to whom I refer, proceed chiefly on grounds of internal evidence;
they appear to me to lay too much stress on the variety of doctrine and
style, which must be equally acknowledged as a fact, even in the Dialogues
regarded by Schaarschmidt as genuine, e.g. in the Phaedrus, or Symposium,
when compared with the Laws. He who admits works so different in style and
matter to have been the composition of the same author, need have no
difficulty in admitting the Sophist or the Politicus. (The negative
argument adduced by the same school of critics, which is based on the
silence of Aristotle, is not worthy of much consideration. For why should
Aristotle, because he has quoted several Dialogues of Plato, have quoted
them all? Something must be allowed to chance, and to the nature of the
subjects treated of in them.) On the other hand, Mr. Grote trusts mainly
to the Alexandrian Canon. But I hardly think that we are justified in
attributing much weight to the authority of the Alexandrian librarians in
an age when there was no regular publication of books, and every temptation
to forge them; and in which the writings of a school were naturally
attributed to the founder of the school. And even without intentional
fraud, there was an inclination to believe rather than to enquire. Would
Mr. Grote accept as genuine all the writings which he finds in the lists of
learned ancients attributed to Hippocrates, to Xenophon, to Aristotle? The
Alexandrian Canon of the Platonic writings is deprived of credit by the
admission of the Epistles, which are not only unworthy of Plato, and in
several passages plagiarized from him, but flagrantly at variance with
historical fact. It will be seen also that I do not agree with Mr. Grote's
views about the Sophists; nor with the low estimate which he has formed of
Plato's Laws; nor with his opinion respecting Plato's doctrine of the
rotation of the earth. But I 'am not going to lay hands on my father
Parmenides' (Soph.), who will, I hope, forgive me for differing from him on
these points. I cannot close this Preface without expressing my deep
respect for his noble and gentle character, and the great services which he
has rendered to Greek Literature.

Balliol College,
January, 1871.


In publishing a Second Edition (1875) of the Dialogues of Plato in English,
I had to acknowledge the assistance of several friends: of the Rev. G.G.
Bradley, Master of University College, now Dean of Westminster, who sent me
some valuable remarks on the Phaedo; of Dr. Greenhill, who had again
revised a portion of the Timaeus; of Mr. R.L. Nettleship, Fellow and Tutor
of Balliol College, to whom I was indebted for an excellent criticism of
the Parmenides; and, above all, of the Rev. Professor Campbell of St.
Andrews, and Mr. Paravicini, late Student of Christ Church and Tutor of
Balliol College, with whom I had read over the greater part of the
translation. I was also indebted to Mr. Evelyn Abbott, Fellow and Tutor of
Balliol College, for a complete and accurate index.

In this, the Third Edition, I am under very great obligations to Mr.
Matthew Knight, who has not only favoured me with valuable suggestions
throughout the work, but has largely extended the Index (from 61 to 175
pages) and translated the Eryxias and Second Alcibiades; and to Mr Frank
Fletcher, of Balliol College, my Secretary. I am also considerably
indebted to Mr. J.W. Mackail, late Fellow of Balliol College, who read over
the Republic in the Second Edition and noted several inaccuracies.

In both editions the Introductions to the Dialogues have been enlarged, and
essays on subjects having an affinity to the Platonic Dialogues have been
introduced into several of them. The analyses have been corrected, and
innumerable alterations have been made in the Text. There have been added
also, in the Third Edition, headings to the pages and a marginal analysis
to the text of each dialogue.

At the end of a long task, the translator may without impropriety point out
the difficulties which he has had to encounter. These have been far
greater than he would have anticipated; nor is he at all sanguine that he
has succeeded in overcoming them. Experience has made him feel that a
translation, like a picture, is dependent for its effect on very minute
touches; and that it is a work of infinite pains, to be returned to in many
moods and viewed in different lights.

I. An English translation ought to be idiomatic and interesting, not only
to the scholar, but to the unlearned reader. Its object should not simply
be to render the words of one language into the words of another or to
preserve the construction and order of the original;--this is the ambition
of a schoolboy, who wishes to show that he has made a good use of his
Dictionary and Grammar; but is quite unworthy of the translator, who seeks
to produce on his reader an impression similar or nearly similar to that
produced by the original. To him the feeling should be more important than
the exact word. He should remember Dryden's quaint admonition not to
'lacquey by the side of his author, but to mount up behind him.'
(Dedication to the Aeneis.) He must carry in his mind a comprehensive view
of the whole work, of what has preceded and of what is to follow,--as well
as of the meaning of particular passages. His version should be based, in
the first instance, on an intimate knowledge of the text; but the precise
order and arrangement of the words may be left to fade out of sight, when
the translation begins to take shape. He must form a general idea of the
two languages, and reduce the one to the terms of the other. His work
should be rhythmical and varied, the right admixture of words and
syllables, and even of letters, should be carefully attended to; above all,
it should be equable in style. There must also be quantity, which is
necessary in prose as well as in verse: clauses, sentences, paragraphs,
must be in due proportion. Metre and even rhyme may be rarely admitted;
though neither is a legitimate element of prose writing, they may help to
lighten a cumbrous expression (Symp.). The translation should retain as
far as possible the characteristic qualities of the ancient writer--his
freedom, grace, simplicity, stateliness, weight, precision; or the best
part of him will be lost to the English reader. It should read as an
original work, and should also be the most faithful transcript which can be
made of the language from which the translation is taken, consistently with
the first requirement of all, that it be English. Further, the translation
being English, it should also be perfectly intelligible in itself without
reference to the Greek, the English being really the more lucid and exact
of the two languages. In some respects it may be maintained that ordinary
English writing, such as the newspaper article, is superior to Plato: at
any rate it is couched in language which is very rarely obscure. On the
other hand, the greatest writers of Greece, Thucydides, Plato, Aeschylus,
Sophocles, Pindar, Demosthenes, are generally those which are found to be
most difficult and to diverge most widely from the English idiom. The
translator will often have to convert the more abstract Greek into the more
concrete English, or vice versa, and he ought not to force upon one
language the character of another. In some cases, where the order is
confused, the expression feeble, the emphasis misplaced, or the sense
somewhat faulty, he will not strive in his rendering to reproduce these
characteristics, but will re-write the passage as his author would have
written it at first, had he not been 'nodding'; and he will not hesitate to
supply anything which, owing to the genius of the language or some accident
of composition, is omitted in the Greek, but is necessary to make the
English clear and consecutive.

It is difficult to harmonize all these conflicting elements. In a
translation of Plato what may be termed the interests of the Greek and
English are often at war with one another. In framing the English sentence
we are insensibly diverted from the exact meaning of the Greek; when we
return to the Greek we are apt to cramp and overlay the English. We
substitute, we compromise, we give and take, we add a little here and leave
out a little there. The translator may sometimes be allowed to sacrifice
minute accuracy for the sake of clearness and sense. But he is not
therefore at liberty to omit words and turns of expression which the
English language is quite capable of supplying. He must be patient and
self-controlled; he must not be easily run away with. Let him never allow
the attraction of a favourite expression, or a sonorous cadence, to
overpower his better judgment, or think much of an ornament which is out of
keeping with the general character of his work. He must ever be casting
his eyes upwards from the copy to the original, and down again from the
original to the copy (Rep.). His calling is not held in much honour by the
world of scholars; yet he himself may be excused for thinking it a kind of
glory to have lived so many years in the companionship of one of the
greatest of human intelligences, and in some degree, more perhaps than
others, to have had the privilege of understanding him (Sir Joshua
Reynolds' Lectures: Disc. xv.).

There are fundamental differences in Greek and English, of which some may
be managed while others remain intractable. (1). The structure of the
Greek language is partly adversative and alternative, and partly
inferential; that is to say, the members of a sentence are either opposed
to one another, or one of them expresses the cause or effect or condition
or reason of another. The two tendencies may be called the horizontal and
perpendicular lines of the language; and the opposition or inference is
often much more one of words than of ideas. But modern languages have
rubbed off this adversative and inferential form: they have fewer links of
connection, there is less mortar in the interstices, and they are content
to place sentences side by side, leaving their relation to one another to
be gathered from their position or from the context. The difficulty of
preserving the effect of the Greek is increased by the want of adversative
and inferential particles in English, and by the nice sense of tautology
which characterizes all modern languages. We cannot have two 'buts' or two
'fors' in the same sentence where the Greek repeats (Greek). There is a
similar want of particles expressing the various gradations of objective
and subjective thought--(Greek) and the like, which are so thickly
scattered over the Greek page. Further, we can only realize to a very
imperfect degree the common distinction between (Greek), and the
combination of the two suggests a subtle shade of negation which cannot be
expressed in English. And while English is more dependent than Greek upon
the apposition of clauses and sentences, yet there is a difficulty in using
this form of construction owing to the want of case endings. For the same
reason there cannot be an equal variety in the order of words or an equal
nicety of emphasis in English as in Greek.

(2) The formation of the sentence and of the paragraph greatly differs in
Greek and English. The lines by which they are divided are generally much
more marked in modern languages than in ancient. Both sentences and
paragraphs are more precise and definite--they do not run into one another.
They are also more regularly developed from within. The sentence marks
another step in an argument or a narrative or a statement; in reading a
paragraph we silently turn over the page and arrive at some new view or
aspect of the subject. Whereas in Plato we are not always certain where a
sentence begins and ends; and paragraphs are few and far between. The
language is distributed in a different way, and less articulated than in
English. For it was long before the true use of the period was attained by
the classical writers both in poetry or prose; it was (Greek). The balance
of sentences and the introduction of paragraphs at suitable intervals must
not be neglected if the harmony of the English language is to be preserved.
And still a caution has to be added on the other side, that we must avoid
giving it a numerical or mechanical character.

(3) This, however, is not one of the greatest difficulties of the
translator; much greater is that which arises from the restriction of the
use of the genders. Men and women in English are masculine and feminine,
and there is a similar distinction of sex in the words denoting animals;
but all things else, whether outward objects or abstract ideas, are
relegated to the class of neuters. Hardly in some flight of poetry do we
ever endue any of them with the characteristics of a sentient being, and
then only by speaking of them in the feminine gender. The virtues may be
pictured in female forms, but they are not so described in language; a ship
is humorously supposed to be the sailor's bride; more doubtful are the
personifications of church and country as females. Now the genius of the
Greek language is the opposite of this. The same tendency to
personification which is seen in the Greek mythology is common also in the
language; and genders are attributed to things as well as persons according
to their various degrees of strength and weakness; or from fanciful
resemblances to the male or female form, or some analogy too subtle to be
discovered. When the gender of any object was once fixed, a similar gender
was naturally assigned to similar objects, or to words of similar
formation. This use of genders in the denotation of objects or ideas not
only affects the words to which genders are attributed, but the words with
which they are construed or connected, and passes into the general
character of the style. Hence arises a difficulty in translating Greek
into English which cannot altogether be overcome. Shall we speak of the
soul and its qualities, of virtue, power, wisdom, and the like, as feminine
or neuter? The usage of the English language does not admit of the former,
and yet the life and beauty of the style are impaired by the latter. Often
the translator will have recourse to the repetition of the word, or to the
ambiguous 'they,' 'their,' etc.; for fear of spoiling the effect of the
sentence by introducing 'it.' Collective nouns in Greek and English create
a similar but lesser awkwardness.

(4) To use of relation is far more extended in Greek than in English.
Partly the greater variety of genders and cases makes the connexion of
relative and antecedent less ambiguous: partly also the greater number of
demonstrative and relative pronouns, and the use of the article, make the
correlation of ideas simpler and more natural. The Greek appears to have
had an ear or intelligence for a long and complicated sentence which is
rarely to be found in modern nations; and in order to bring the Greek down
to the level of the modern, we must break up the long sentence into two or
more short ones. Neither is the same precision required in Greek as in
Latin or English, nor in earlier Greek as in later; there was nothing
shocking to the contemporary of Thucydides and Plato in anacolutha and
repetitions. In such cases the genius of the English language requires
that the translation should be more intelligible than the Greek. The want
of more distinctions between the demonstrative pronouns is also greatly
felt. Two genitives dependent on one another, unless familiarised by
idiom, have an awkward effect in English. Frequently the noun has to take
the place of the pronoun. 'This' and 'that' are found repeating themselves
to weariness in the rough draft of a translation. As in the previous case,
while the feeling of the modern language is more opposed to tautology,
there is also a greater difficulty in avoiding it.

(5) Though no precise rule can be laid down about the repetition of words,
there seems to be a kind of impertinence in presenting to the reader the
same thought in the same words, repeated twice over in the same passage
without any new aspect or modification of it. And the evasion of
tautology--that is, the substitution of one word of precisely the same
meaning for another--is resented by us equally with the repetition of
words. Yet on the other hand the least difference of meaning or the least
change of form from a substantive to an adjective, or from a participle to
a verb, will often remedy the unpleasant effect. Rarely and only for the
sake of emphasis or clearness can we allow an important word to be used
twice over in two successive sentences or even in the same paragraph. The
particles and pronouns, as they are of most frequent occurrence, are also
the most troublesome. Strictly speaking, except a few of the commonest of
them, 'and,' 'the,' etc., they ought not to occur twice in the same
sentence. But the Greek has no such precise rules; and hence any literal
translation of a Greek author is full of tautology. The tendency of modern
languages is to become more correct as well as more perspicuous than
ancient. And, therefore, while the English translator is limited in the
power of expressing relation or connexion, by the law of his own language
increased precision and also increased clearness are required of him. The
familiar use of logic, and the progress of science, have in these two
respects raised the standard. But modern languages, while they have become
more exacting in their demands, are in many ways not so well furnished with
powers of expression as the ancient classical ones.

Such are a few of the difficulties which have to be overcome in the work of
translation; and we are far from having exhausted the list. (6) The
excellence of a translation will consist, not merely in the faithful
rendering of words, or in the composition of a sentence only, or yet of a
single paragraph, but in the colour and style of the whole work.
Equability of tone is best attained by the exclusive use of familiar and
idiomatic words. But great care must be taken; for an idiomatic phrase, if
an exception to the general style, is of itself a disturbing element. No
word, however expressive and exact, should be employed, which makes the
reader stop to think, or unduly attracts attention by difficulty and
peculiarity, or disturbs the effect of the surrounding language. In
general the style of one author is not appropriate to another; as in
society, so in letters, we expect every man to have 'a good coat of his
own,' and not to dress himself out in the rags of another. (a) Archaic
expressions are therefore to be avoided. Equivalents may be occasionally
drawn from Shakspere, who is the common property of us all; but they must
be used sparingly. For, like some other men of genius of the Elizabethan
and Jacobean age, he outdid the capabilities of the language, and many of
the expressions which he introduced have been laid aside and have dropped
out of use. (b) A similar principle should be observed in the employment
of Scripture. Having a greater force and beauty than other language, and a
religious association, it disturbs the even flow of the style. It may be
used to reproduce in the translation the quaint effect of some antique
phrase in the original, but rarely; and when adopted, it should have a
certain freshness and a suitable 'entourage.' It is strange to observe
that the most effective use of Scripture phraseology arises out of the
application of it in a sense not intended by the author. (c) Another
caution: metaphors differ in different languages, and the translator will
often be compelled to substitute one for another, or to paraphrase them,
not giving word for word, but diffusing over several words the more
concentrated thought of the original. The Greek of Plato often goes beyond
the English in its imagery: compare Laws, (Greek); Rep.; etc. Or again the
modern word, which in substance is the nearest equivalent to the Greek, may
be found to include associations alien to Greek life: e.g. (Greek),
'jurymen,' (Greek), 'the bourgeoisie.' (d) The translator has also to
provide expressions for philosophical terms of very indefinite meaning in
the more definite language of modern philosophy. And he must not allow
discordant elements to enter into the work. For example, in translating
Plato, it would equally be an anachronism to intrude on him the feeling and
spirit of the Jewish or Christian Scriptures or the technical terms of the
Hegelian or Darwinian philosophy.

(7) As no two words are precise equivalents (just as no two leaves of the
forest are exactly similar), it is a mistaken attempt at precision always
to translate the same Greek word by the same English word. There is no
reason why in the New Testament (Greek) should always be rendered
'righteousness,' or (Greek) 'covenant.' In such cases the translator may
be allowed to employ two words--sometimes when the two meanings occur in
the same passage, varying them by an 'or'--e.g. (Greek), 'science' or
'knowledge,' (Greek), 'idea' or 'class,' (Greek), 'temperance' or
'prudence,'--at the point where the change of meaning occurs. If
translations are intended not for the Greek scholar but for the general
reader, their worst fault will be that they sacrifice the general effect
and meaning to the over-precise rendering of words and forms of speech.

(8) There is no kind of literature in English which corresponds to the
Greek Dialogue; nor is the English language easily adapted to it. The
rapidity and abruptness of question and answer, the constant repetition of
(Greek), etc., which Cicero avoided in Latin (de Amicit), the frequent
occurrence of expletives, would, if reproduced in a translation, give
offence to the reader. Greek has a freer and more frequent use of the
Interrogative, and is of a more passionate and emotional character, and
therefore lends itself with greater readiness to the dialogue form. Most
of the so-called English Dialogues are but poor imitations of Plato, which
fall very far short of the original. The breath of conversation, the
subtle adjustment of question and answer, the lively play of fancy, the
power of drawing characters, are wanting in them. But the Platonic
dialogue is a drama as well as a dialogue, of which Socrates is the central
figure, and there are lesser performers as well:--the insolence of
Thrasymachus, the anger of Callicles and Anytus, the patronizing style of
Protagoras, the self-consciousness of Prodicus and Hippias, are all part of
the entertainment. To reproduce this living image the same sort of effort
is required as in translating poetry. The language, too, is of a finer
quality; the mere prose English is slow in lending itself to the form of
question and answer, and so the ease of conversation is lost, and at the
same time the dialectical precision with which the steps of the argument
are drawn out is apt to be impaired.

II. In the Introductions to the Dialogues there have been added some
essays on modern philosophy, and on political and social life. The chief
subjects discussed in these are Utility, Communism, the Kantian and
Hegelian philosophies, Psychology, and the Origin of Language. (There have
been added also in the Third Edition remarks on other subjects. A list of
the most important of these additions is given at the end of this Preface.)

Ancient and modern philosophy throw a light upon one another: but they
should be compared, not confounded. Although the connexion between them is
sometimes accidental, it is often real. The same questions are discussed
by them under different conditions of language and civilization; but in
some cases a mere word has survived, while nothing or hardly anything of
the pre-Socratic, Platonic, or Aristotelian meaning is retained. There are
other questions familiar to the moderns, which have no place in ancient
philosophy. The world has grown older in two thousand years, and has
enlarged its stock of ideas and methods of reasoning. Yet the germ of
modern thought is found in ancient, and we may claim to have inherited,
notwithstanding many accidents of time and place, the spirit of Greek
philosophy. There is, however, no continuous growth of the one into the
other, but a new beginning, partly artificial, partly arising out of the
questionings of the mind itself, and also receiving a stimulus from the
study of ancient writings.

Considering the great and fundamental differences which exist in ancient
and modern philosophy, it seems best that we should at first study them
separately, and seek for the interpretation of either, especially of the
ancient, from itself only, comparing the same author with himself and with
his contemporaries, and with the general state of thought and feeling
prevalent in his age. Afterwards comes the remoter light which they cast
on one another. We begin to feel that the ancients had the same thoughts
as ourselves, the same difficulties which characterize all periods of
transition, almost the same opposition between science and religion.
Although we cannot maintain that ancient and modern philosophy are one and
continuous (as has been affirmed with more truth respecting ancient and
modern history), for they are separated by an interval of a thousand years,
yet they seem to recur in a sort of cycle, and we are surprised to find
that the new is ever old, and that the teaching of the past has still a
meaning for us.

III. In the preface to the first edition I expressed a strong opinion at
variance with Mr. Grote's, that the so-called Epistles of Plato were
spurious. His friend and editor, Professor Bain, thinks that I ought to
give the reasons why I differ from so eminent an authority. Reserving the
fuller discussion of the question for another place, I will shortly defend
my opinion by the following arguments:--

(a) Because almost all epistles purporting to be of the classical age of
Greek literature are forgeries. (Compare Bentley's Works (Dyce's
Edition).) Of all documents this class are the least likely to be
preserved and the most likely to be invented. The ancient world swarmed
with them; the great libraries stimulated the demand for them; and at a
time when there was no regular publication of books, they easily crept into
the world.

(b) When one epistle out of a number is spurious, the remainder of the
series cannot be admitted to be genuine, unless there be some independent
ground for thinking them so: when all but one are spurious, overwhelming
evidence is required of the genuineness of the one: when they are all
similar in style or motive, like witnesses who agree in the same tale, they
stand or fall together. But no one, not even Mr. Grote, would maintain
that all the Epistles of Plato are genuine, and very few critics think that
more than one of them is so. And they are clearly all written from the
same motive, whether serious or only literary. Nor is there an example in
Greek antiquity of a series of Epistles, continuous and yet coinciding with
a succession of events extending over a great number of years.

The external probability therefore against them is enormous, and the
internal probability is not less: for they are trivial and unmeaning,
devoid of delicacy and subtlety, wanting in a single fine expression. And
even if this be matter of dispute, there can be no dispute that there are
found in them many plagiarisms, inappropriately borrowed, which is a common
note of forgery. They imitate Plato, who never imitates either himself or
any one else; reminiscences of the Republic and the Laws are continually
recurring in them; they are too like him and also too unlike him, to be
genuine (see especially Karsten, Commentio Critica de Platonis quae
feruntur Epistolis). They are full of egotism, self-assertion,
affectation, faults which of all writers Plato was most careful to avoid,
and into which he was least likely to fall. They abound in obscurities,
irrelevancies, solecisms, pleonasms, inconsistencies, awkwardnesses of
construction, wrong uses of words. They also contain historical blunders,
such as the statement respecting Hipparinus and Nysaeus, the nephews of
Dion, who are said to 'have been well inclined to philosophy, and well able
to dispose the mind of their brother Dionysius in the same course,' at a
time when they could not have been more than six or seven years of age--
also foolish allusions, such as the comparison of the Athenian empire to
the empire of Darius, which show a spirit very different from that of
Plato; and mistakes of fact, as e.g. about the Thirty Tyrants, whom the
writer of the letters seems to have confused with certain inferior
magistrates, making them in all fifty-one. These palpable errors and
absurdities are absolutely irreconcileable with their genuineness. And as
they appear to have a common parentage, the more they are studied, the more
they will be found to furnish evidence against themselves. The Seventh,
which is thought to be the most important of these Epistles, has affinities
with the Third and the Eighth, and is quite as impossible and inconsistent
as the rest. It is therefore involved in the same condemnation.--The final
conclusion is that neither the Seventh nor any other of them, when
carefully analyzed, can be imagined to have proceeded from the hand or mind
of Plato. The other testimonies to the voyages of Plato to Sicily and the
court of Dionysius are all of them later by several centuries than the
events to which they refer. No extant writer mentions them older than
Cicero and Cornelius Nepos. It does not seem impossible that so attractive
a theme as the meeting of a philosopher and a tyrant, once imagined by the
genius of a Sophist, may have passed into a romance which became famous in
Hellas and the world. It may have created one of the mists of history,
like the Trojan war or the legend of Arthur, which we are unable to
penetrate. In the age of Cicero, and still more in that of Diogenes
Laertius and Appuleius, many other legends had gathered around the
personality of Plato,--more voyages, more journeys to visit tyrants and
Pythagorean philosophers. But if, as we agree with Karsten in supposing,
they are the forgery of some rhetorician or sophist, we cannot agree with
him in also supposing that they are of any historical value, the rather as
there is no early independent testimony by which they are supported or with
which they can be compared.

IV. There is another subject to which I must briefly call attention, lest
I should seem to have overlooked it. Dr. Henry Jackson, of Trinity
College, Cambridge, in a series of articles which he has contributed to the
Journal of Philology, has put forward an entirely new explanation of the
Platonic 'Ideas.' He supposes that in the mind of Plato they took, at
different times in his life, two essentially different forms:--an earlier
one which is found chiefly in the Republic and the Phaedo, and a later,
which appears in the Theaetetus, Philebus, Sophist, Politicus, Parmenides,
Timaeus. In the first stage of his philosophy Plato attributed Ideas to
all things, at any rate to all things which have classes or common notions:
these he supposed to exist only by participation in them. In the later
Dialogues he no longer included in them manufactured articles and ideas of
relation, but restricted them to 'types of nature,' and having become
convinced that the many cannot be parts of the one, for the idea of
participation in them he substituted imitation of them. To quote Dr.
Jackson's own expressions,--'whereas in the period of the Republic and the
Phaedo, it was proposed to pass through ontology to the sciences, in the
period of the Parmenides and the Philebus, it is proposed to pass through
the sciences to ontology': or, as he repeats in nearly the same words,--
'whereas in the Republic and in the Phaedo he had dreamt of passing through
ontology to the sciences, he is now content to pass through the sciences to

This theory is supposed to be based on Aristotle's Metaphysics, a passage
containing an account of the ideas, which hitherto scholars have found
impossible to reconcile with the statements of Plato himself. The
preparations for the new departure are discovered in the Parmenides and in
the Theaetetus; and it is said to be expressed under a different form by
the (Greek) and the (Greek) of the Philebus. The (Greek) of the Philebus
is the principle which gives form and measure to the (Greek); and in the
'Later Theory' is held to be the (Greek) or (Greek) which converts the
Infinite or Indefinite into ideas. They are neither (Greek) nor (Greek),
but belong to the (Greek) which partakes of both.

With great respect for the learning and ability of Dr. Jackson, I find
myself unable to agree in this newly fashioned doctrine of the Ideas, which
he ascribes to Plato. I have not the space to go into the question fully;
but I will briefly state some objections which are, I think, fatal to it.

(1) First, the foundation of his argument is laid in the Metaphysics of
Aristotle. But we cannot argue, either from the Metaphysics, or from any
other of the philosophical treatises of Aristotle, to the dialogues of
Plato until we have ascertained the relation in which his so-called works
stand to the philosopher himself. There is of course no doubt of the great
influence exercised upon Greece and upon the world by Aristotle and his
philosophy. But on the other hand almost every one who is capable of
understanding the subject acknowledges that his writings have not come down
to us in an authentic form like most of the dialogues of Plato. How much
of them is to be ascribed to Aristotle's own hand, how much is due to his
successors in the Peripatetic School, is a question which has never been
determined, and probably never can be, because the solution of it depends
upon internal evidence only. To 'the height of this great argument' I do
not propose to ascend. But one little fact, not irrelevant to the present
discussion, will show how hopeless is the attempt to explain Plato out of
the writings of Aristotle. In the chapter of the Metaphysics quoted by Dr.
Jackson, about two octavo pages in length, there occur no less than seven
or eight references to Plato, although nothing really corresponding to them
can be found in his extant writings:--a small matter truly; but what a
light does it throw on the character of the entire book in which they
occur! We can hardly escape from the conclusion that they are not
statements of Aristotle respecting Plato, but of a later generation of
Aristotelians respecting a later generation of Platonists. (Compare the
striking remark of the great Scaliger respecting the Magna Moralia:--Haec
non sunt Aristotelis, tamen utitur auctor Aristotelis nomine tanquam suo.)

(2) There is no hint in Plato's own writings that he was conscious of
having made any change in the Doctrine of Ideas such as Dr. Jackson
attributes to him, although in the Republic the platonic Socrates speaks of
'a longer and a shorter way', and of a way in which his disciple Glaucon
'will be unable to follow him'; also of a way of Ideas, to which he still
holds fast, although it has often deserted him (Philebus, Phaedo), and
although in the later dialogues and in the Laws the reference to Ideas
disappears, and Mind claims her own (Phil.; Laws). No hint is given of
what Plato meant by the 'longer way' (Rep.), or 'the way in which Glaucon
was unable to follow'; or of the relation of Mind to the Ideas. It might
be said with truth that the conception of the Idea predominates in the
first half of the Dialogues, which, according to the order adopted in this
work, ends with the Republic, the 'conception of Mind' and a way of
speaking more in agreement with modern terminology, in the latter half.
But there is no reason to suppose that Plato's theory, or, rather, his
various theories, of the Ideas underwent any definite change during his
period of authorship. They are substantially the same in the twelfth Book
of the Laws as in the Meno and Phaedo; and since the Laws were written in
the last decade of his life, there is no time to which this change of
opinions can be ascribed. It is true that the theory of Ideas takes
several different forms, not merely an earlier and a later one, in the
various Dialogues. They are personal and impersonal, ideals and ideas,
existing by participation or by imitation, one and many, in different parts
of his writings or even in the same passage. They are the universal
definitions of Socrates, and at the same time 'of more than mortal
knowledge' (Rep.). But they are always the negations of sense, of matter,
of generation, of the particular: they are always the subjects of
knowledge and not of opinion; and they tend, not to diversity, but to
unity. Other entities or intelligences are akin to them, but not the same
with them, such as mind, measure, limit, eternity, essence (Philebus;
Timaeus): these and similar terms appear to express the same truths from a
different point of view, and to belong to the same sphere with them. But
we are not justified, therefore, in attempting to identify them, any more
than in wholly opposing them. The great oppositions of the sensible and
intellectual, the unchangeable and the transient, in whatever form of words
expressed, are always maintained in Plato. But the lesser logical
distinctions, as we should call them, whether of ontology or predication,
which troubled the pre-Socratic philosophy and came to the front in
Aristotle, are variously discussed and explained. Thus far we admit
inconsistency in Plato, but no further. He lived in an age before logic
and system had wholly permeated language, and therefore we must not always
expect to find in him systematic arrangement or logical precision:--'poema
magis putandum.' But he is always true to his own context, the careful
study of which is of more value to the interpreter than all the
commentators and scholiasts put together.

(3) The conclusions at which Dr. Jackson has arrived are such as might be
expected to follow from his method of procedure. For he takes words
without regard to their connection, and pieces together different parts of
dialogues in a purely arbitrary manner, although there is no indication
that the author intended the two passages to be so combined, or that when
he appears to be experimenting on the different points of view from which a
subject of philosophy may be regarded, he is secretly elaborating a system.
By such a use of language any premises may be made to lead to any
conclusion. I am not one of those who believe Plato to have been a mystic
or to have had hidden meanings; nor do I agree with Dr. Jackson in thinking
that 'when he is precise and dogmatic, he generally contrives to introduce
an element of obscurity into the expostion' (J. of Philol.). The great
master of language wrote as clearly as he could in an age when the minds of
men were clouded by controversy, and philosophical terms had not yet
acquired a fixed meaning. I have just said that Plato is to be interpreted
by his context; and I do not deny that in some passages, especially in the
Republic and Laws, the context is at a greater distance than would be
allowable in a modern writer. But we are not therefore justified in
connecting passages from different parts of his writings, or even from the
same work, which he has not himself joined. We cannot argue from the
Parmenides to the Philebus, or from either to the Sophist, or assume that
the Parmenides, the Philebus, and the Timaeus were 'written
simultaneously,' or 'were intended to be studied in the order in which they
are here named (J. of Philol.) We have no right to connect statements
which are only accidentally similar. Nor is it safe for the author of a
theory about ancient philosophy to argue from what will happen if his
statements are rejected. For those consequences may never have entered
into the mind of the ancient writer himself; and they are very likely to be
modern consequences which would not have been understood by him. 'I cannot
think,' says Dr. Jackson, 'that Plato would have changed his opinions, but
have nowhere explained the nature of the change.' But is it not much more
improbable that he should have changed his opinions, and not stated in an
unmistakable manner that the most essential principle of his philosophy had
been reversed? It is true that a few of the dialogues, such as the
Republic and the Timaeus, or the Theaetetus and the Sophist, or the Meno
and the Apology, contain allusions to one another. But these allusions are
superficial and, except in the case of the Republic and the Laws, have no
philosophical importance. They do not affect the substance of the work.
It may be remarked further that several of the dialogues, such as the
Phaedrus, the Sophist, and the Parmenides, have more than one subject. But
it does not therefore follow that Plato intended one dialogue to succeed
another, or that he begins anew in one dialogue a subject which he has left
unfinished in another, or that even in the same dialogue he always intended
the two parts to be connected with each other. We cannot argue from a
casual statement found in the Parmenides to other statements which occur in
the Philebus. Much more truly is his own manner described by himself when
he says that 'words are more plastic than wax' (Rep.), and 'whither the
wind blows, the argument follows'. The dialogues of Plato are like poems,
isolated and separate works, except where they are indicated by the author
himself to have an intentional sequence.

It is this method of taking passages out of their context and placing them
in a new connexion when they seem to confirm a preconceived theory, which
is the defect of Dr. Jackson's procedure. It may be compared, though not
wholly the same with it, to that method which the Fathers practised,
sometimes called 'the mystical interpretation of Scripture,' in which
isolated words are separated from their context, and receive any sense
which the fancy of the interpreter may suggest. It is akin to the method
employed by Schleiermacher of arranging the dialogues of Plato in
chronological order according to what he deems the true arrangement of the
ideas contained in them. (Dr. Jackson is also inclined, having constructed
a theory, to make the chronology of Plato's writings dependent upon it
(See J. of Philol.and elsewhere.).) It may likewise be illustrated by the
ingenuity of those who employ symbols to find in Shakespeare a hidden
meaning. In the three cases the error is nearly the same:--words are taken
out of their natural context, and thus become destitute of any real

(4) According to Dr. Jackson's 'Later Theory,' Plato's Ideas, which were
once regarded as the summa genera of all things, are now to be explained as
Forms or Types of some things only,--that is to say, of natural objects:
these we conceive imperfectly, but are always seeking in vain to have a
more perfect notion of them. He says (J. of Philol.) that 'Plato hoped by
the study of a series of hypothetical or provisional classifications to
arrive at one in which nature's distribution of kinds is approximately
represented, and so to attain approximately to the knowledge of the ideas.
But whereas in the Republic, and even in the Phaedo, though less hopefully,
he had sought to convert his provisional definitions into final ones by
tracing their connexion with the summum genus, the (Greek), in the
Parmenides his aspirations are less ambitious,' and so on. But where does
Dr. Jackson find any such notion as this in Plato or anywhere in ancient
philosophy? Is it not an anachronism, gracious to the modern physical
philosopher, and the more acceptable because it seems to form a link
between ancient and modern philosophy, and between physical and
metaphysical science; but really unmeaning?

(5) To this 'Later Theory' of Plato's Ideas I oppose the authority of
Professor Zeller, who affirms that none of the passages to which Dr.
Jackson appeals (Theaet.; Phil.; Tim.; Parm.) 'in the smallest degree prove
his point'; and that in the second class of dialogues, in which the 'Later
Theory of Ideas' is supposed to be found, quite as clearly as in the first,
are admitted Ideas, not only of natural objects, but of properties,
relations, works of art, negative notions (Theaet.; Parm.; Soph.); and that
what Dr. Jackson distinguishes as the first class of dialogues from the
second equally assert or imply that the relation of things to the Ideas, is
one of participation in them as well as of imitation of them (Prof.
Zeller's summary of his own review of Dr. Jackson, Archiv fur Geschichte
der Philosophie.)

In conclusion I may remark that in Plato's writings there is both unity,
and also growth and development; but that we must not intrude upon him
either a system or a technical language.

Balliol College,
October, 1891.


The chief additions to the Introductions in the Third Edition consist of
Essays on the following subjects:--

1. Language.

2. The decline of Greek Literature.

3. The 'Ideas' of Plato and Modern Philosophy.

4. The myths of Plato.

5. The relation of the Republic, Statesman and Laws.

6. The legend of Atlantis.

7. Psychology.

8. Comparison of the Laws of Plato with Spartan and Athenian Laws and



The subject of the Charmides is Temperance or (Greek), a peculiarly Greek
notion, which may also be rendered Moderation (Compare Cic. Tusc. '(Greek),
quam soleo equidem tum temperantiam, tum moderationem appellare, nonnunquam
etiam modestiam.'), Modesty, Discretion, Wisdom, without completely
exhausting by all these terms the various associations of the word. It may
be described as 'mens sana in corpore sano,' the harmony or due proportion
of the higher and lower elements of human nature which 'makes a man his own
master,' according to the definition of the Republic. In the accompanying
translation the word has been rendered in different places either
Temperance or Wisdom, as the connection seemed to require: for in the
philosophy of Plato (Greek) still retains an intellectual element (as
Socrates is also said to have identified (Greek) with (Greek): Xen. Mem.)
and is not yet relegated to the sphere of moral virtue, as in the
Nicomachean Ethics of Aristotle.

The beautiful youth, Charmides, who is also the most temperate of human
beings, is asked by Socrates, 'What is Temperance?' He answers
characteristically, (1) 'Quietness.' 'But Temperance is a fine and noble
thing; and quietness in many or most cases is not so fine a thing as
quickness.' He tries again and says (2) that temperance is modesty. But
this again is set aside by a sophistical application of Homer: for
temperance is good as well as noble, and Homer has declared that 'modesty
is not good for a needy man.' (3) Once more Charmides makes the attempt.
This time he gives a definition which he has heard, and of which Socrates
conjectures that Critias must be the author: 'Temperance is doing one's
own business.' But the artisan who makes another man's shoes may be
temperate, and yet he is not doing his own business; and temperance defined
thus would be opposed to the division of labour which exists in every
temperate or well-ordered state. How is this riddle to be explained?

Critias, who takes the place of Charmides, distinguishes in his answer
between 'making' and 'doing,' and with the help of a misapplied quotation
from Hesiod assigns to the words 'doing' and 'work' an exclusively good
sense: Temperance is doing one's own business;--(4) is doing good.

Still an element of knowledge is wanting which Critias is readily induced
to admit at the suggestion of Socrates; and, in the spirit of Socrates and
of Greek life generally, proposes as a fifth definition, (5) Temperance is
self-knowledge. But all sciences have a subject: number is the subject of
arithmetic, health of medicine--what is the subject of temperance or
wisdom? The answer is that (6) Temperance is the knowledge of what a man
knows and of what he does not know. But this is contrary to analogy; there
is no vision of vision, but only of visible things; no love of loves, but
only of beautiful things; how then can there be a knowledge of knowledge?
That which is older, heavier, lighter, is older, heavier, and lighter than
something else, not than itself, and this seems to be true of all relative
notions--the object of relation is outside of them; at any rate they can
only have relation to themselves in the form of that object. Whether there
are any such cases of reflex relation or not, and whether that sort of
knowledge which we term Temperance is of this reflex nature, has yet to be
determined by the great metaphysician. But even if knowledge can know
itself, how does the knowledge of what we know imply the knowledge of what
we do not know? Besides, knowledge is an abstraction only, and will not
inform us of any particular subject, such as medicine, building, and the
like. It may tell us that we or other men know something, but can never
tell us what we know.

Admitting that there is a knowledge of what we know and of what we do not
know, which would supply a rule and measure of all things, still there
would be no good in this; and the knowledge which temperance gives must be
of a kind which will do us good; for temperance is a good. But this
universal knowledge does not tend to our happiness and good: the only kind
of knowledge which brings happiness is the knowledge of good and evil. To
this Critias replies that the science or knowledge of good and evil, and
all the other sciences, are regulated by the higher science or knowledge of
knowledge. Socrates replies by again dividing the abstract from the
concrete, and asks how this knowledge conduces to happiness in the same
definite way in which medicine conduces to health.

And now, after making all these concessions, which are really inadmissible,
we are still as far as ever from ascertaining the nature of temperance,
which Charmides has already discovered, and had therefore better rest in
the knowledge that the more temperate he is the happier he will be, and not
trouble himself with the speculations of Socrates.

In this Dialogue may be noted (1) The Greek ideal of beauty and goodness,
the vision of the fair soul in the fair body, realised in the beautiful
Charmides; (2) The true conception of medicine as a science of the whole as
well as the parts, and of the mind as well as the body, which is playfully
intimated in the story of the Thracian; (3) The tendency of the age to
verbal distinctions, which here, as in the Protagoras and Cratylus, are
ascribed to the ingenuity of Prodicus; and to interpretations or rather
parodies of Homer or Hesiod, which are eminently characteristic of Plato
and his contemporaries; (4) The germ of an ethical principle contained in
the notion that temperance is 'doing one's own business,' which in the
Republic (such is the shifting character of the Platonic philosophy) is
given as the definition, not of temperance, but of justice; (5) The
impatience which is exhibited by Socrates of any definition of temperance
in which an element of science or knowledge is not included; (6) The
beginning of metaphysics and logic implied in the two questions: whether
there can be a science of science, and whether the knowledge of what you
know is the same as the knowledge of what you do not know; and also in the
distinction between 'what you know' and 'that you know,' (Greek;) here too
is the first conception of an absolute self-determined science (the claims
of which, however, are disputed by Socrates, who asks cui bono?) as well as
the first suggestion of the difficulty of the abstract and concrete, and
one of the earliest anticipations of the relation of subject and object,
and of the subjective element in knowledge--a 'rich banquet' of
metaphysical questions in which we 'taste of many things.' (7) And still
the mind of Plato, having snatched for a moment at these shadows of the
future, quickly rejects them: thus early has he reached the conclusion
that there can be no science which is a 'science of nothing' (Parmen.).
(8) The conception of a science of good and evil also first occurs here, an
anticipation of the Philebus and Republic as well as of moral philosophy in
later ages.

The dramatic interest of the Dialogue chiefly centres in the youth
Charmides, with whom Socrates talks in the kindly spirit of an elder. His
childlike simplicity and ingenuousness are contrasted with the dialectical
and rhetorical arts of Critias, who is the grown-up man of the world,
having a tincture of philosophy. No hint is given, either here or in the
Timaeus, of the infamy which attaches to the name of the latter in Athenian
history. He is simply a cultivated person who, like his kinsman Plato, is
ennobled by the connection of his family with Solon (Tim.), and had been
the follower, if not the disciple, both of Socrates and of the Sophists.
In the argument he is not unfair, if allowance is made for a slight
rhetorical tendency, and for a natural desire to save his reputation with
the company; he is sometimes nearer the truth than Socrates. Nothing in
his language or behaviour is unbecoming the guardian of the beautiful
Charmides. His love of reputation is characteristically Greek, and
contrasts with the humility of Socrates. Nor in Charmides himself do we
find any resemblance to the Charmides of history, except, perhaps, the
modest and retiring nature which, according to Xenophon, at one time of his
life prevented him from speaking in the Assembly (Mem.); and we are
surprised to hear that, like Critias, he afterwards became one of the
thirty tyrants. In the Dialogue he is a pattern of virtue, and is
therefore in no need of the charm which Socrates is unable to apply. With
youthful naivete, keeping his secret and entering into the spirit of
Socrates, he enjoys the detection of his elder and guardian Critias, who is
easily seen to be the author of the definition which he has so great an
interest in maintaining. The preceding definition, 'Temperance is doing
one's own business,' is assumed to have been borrowed by Charmides from
another; and when the enquiry becomes more abstract he is superseded by
Critias (Theaet.; Euthyd.). Socrates preserves his accustomed irony to the
end; he is in the neighbourhood of several great truths, which he views in
various lights, but always either by bringing them to the test of common
sense, or by demanding too great exactness in the use of words, turns aside
from them and comes at last to no conclusion.

The definitions of temperance proceed in regular order from the popular to
the philosophical. The first two are simple enough and partially true,
like the first thoughts of an intelligent youth; the third, which is a real
contribution to ethical philosophy, is perverted by the ingenuity of
Socrates, and hardly rescued by an equal perversion on the part of Critias.
The remaining definitions have a higher aim, which is to introduce the
element of knowledge, and at last to unite good and truth in a single
science. But the time has not yet arrived for the realization of this
vision of metaphysical philosophy; and such a science when brought nearer
to us in the Philebus and the Republic will not be called by the name of
(Greek). Hence we see with surprise that Plato, who in his other writings
identifies good and knowledge, here opposes them, and asks, almost in the
spirit of Aristotle, how can there be a knowledge of knowledge, and even if
attainable, how can such a knowledge be of any use?

The difficulty of the Charmides arises chiefly from the two senses of the
word (Greek), or temperance. From the ethical notion of temperance, which
is variously defined to be quietness, modesty, doing our own business, the
doing of good actions, the dialogue passes onto the intellectual conception
of (Greek), which is declared also to be the science of self-knowledge, or
of the knowledge of what we know and do not know, or of the knowledge of
good and evil. The dialogue represents a stage in the history of
philosophy in which knowledge and action were not yet distinguished. Hence
the confusion between them, and the easy transition from one to the other.
The definitions which are offered are all rejected, but it is to be
observed that they all tend to throw a light on the nature of temperance,
and that, unlike the distinction of Critias between (Greek), none of them
are merely verbal quibbles, it is implied that this question, although it
has not yet received a solution in theory, has been already answered by
Charmides himself, who has learned to practise the virtue of self-knowledge
which philosophers are vainly trying to define in words. In a similar
spirit we might say to a young man who is disturbed by theological
difficulties, 'Do not trouble yourself about such matters, but only lead a
good life;' and yet in either case it is not to be denied that right ideas
of truth may contribute greatly to the improvement of character.

The reasons why the Charmides, Lysis, Laches have been placed together and
first in the series of Platonic dialogues, are: (i) Their shortness and
simplicity. The Charmides and the Lysis, if not the Laches, are of the
same 'quality' as the Phaedrus and Symposium: and it is probable, though
far from certain, that the slighter effort preceded the greater one. (ii)
Their eristic, or rather Socratic character; they belong to the class
called dialogues of search (Greek), which have no conclusion. (iii) The
absence in them of certain favourite notions of Plato, such as the doctrine
of recollection and of the Platonic ideas; the questions, whether virtue
can be taught; whether the virtues are one or many. (iv) They have a want
of depth, when compared with the dialogues of the middle and later period;
and a youthful beauty and grace which is wanting in the later ones. (v)
Their resemblance to one another; in all the three boyhood has a great
part. These reasons have various degrees of weight in determining their
place in the catalogue of the Platonic writings, though they are not
conclusive. No arrangement of the Platonic dialogues can be strictly
chronological. The order which has been adopted is intended mainly for the
convenience of the reader; at the same time, indications of the date
supplied either by Plato himself or allusions found in the dialogues have
not been lost sight of. Much may be said about this subject, but the
results can only be probable; there are no materials which would enable us
to attain to anything like certainty.

The relations of knowledge and virtue are again brought forward in the
companion dialogues of the Lysis and Laches; and also in the Protagoras and
Euthydemus. The opposition of abstract and particular knowledge in this
dialogue may be compared with a similar opposition of ideas and phenomena
which occurs in the Prologues to the Parmenides, but seems rather to belong
to a later stage of the philosophy of Plato.




Translated by Benjamin Jowett

PERSONS OF THE DIALOGUE: Socrates, who is the narrator, Charmides,
Chaerephon, Critias.

SCENE: The Palaestra of Taureas, which is near the Porch of the King

Yesterday evening I returned from the army at Potidaea, and having been a
good while away, I thought that I should like to go and look at my old
haunts. So I went into the palaestra of Taureas, which is over against the
temple adjoining the porch of the King Archon, and there I found a number
of persons, most of whom I knew, but not all. My visit was unexpected, and
no sooner did they see me entering than they saluted me from afar on all
sides; and Chaerephon, who is a kind of madman, started up and ran to me,
seizing my hand, and saying, How did you escape, Socrates?--(I should
explain that an engagement had taken place at Potidaea not long before we
came away, of which the news had only just reached Athens.)

You see, I replied, that here I am.

There was a report, he said, that the engagement was very severe, and that
many of our acquaintance had fallen.

That, I replied, was not far from the truth.

I suppose, he said, that you were present.

I was.

Then sit down, and tell us the whole story, which as yet we have only heard

I took the place which he assigned to me, by the side of Critias the son of
Callaeschrus, and when I had saluted him and the rest of the company, I
told them the news from the army, and answered their several enquiries.

Then, when there had been enough of this, I, in my turn, began to make
enquiries about matters at home--about the present state of philosophy, and
about the youth. I asked whether any of them were remarkable for wisdom or
beauty, or both. Critias, glancing at the door, invited my attention to
some youths who were coming in, and talking noisily to one another,
followed by a crowd. Of the beauties, Socrates, he said, I fancy that you
will soon be able to form a judgment. For those who are just entering are
the advanced guard of the great beauty, as he is thought to be, of the day,
and he is likely to be not far off himself.

Who is he, I said; and who is his father?

Charmides, he replied, is his name; he is my cousin, and the son of my
uncle Glaucon: I rather think that you know him too, although he was not
grown up at the time of your departure.

Certainly, I know him, I said, for he was remarkable even then when he was
still a child, and I should imagine that by this time he must be almost a
young man.

You will see, he said, in a moment what progress he has made and what he is
like. He had scarcely said the word, when Charmides entered.

Now you know, my friend, that I cannot measure anything, and of the
beautiful, I am simply such a measure as a white line is of chalk; for
almost all young persons appear to be beautiful in my eyes. But at that
moment, when I saw him coming in, I confess that I was quite astonished at
his beauty and stature; all the world seemed to be enamoured of him;
amazement and confusion reigned when he entered; and a troop of lovers
followed him. That grown-up men like ourselves should have been affected
in this way was not surprising, but I observed that there was the same
feeling among the boys; all of them, down to the very least child, turned
and looked at him, as if he had been a statue.

Chaerephon called me and said: What do you think of him, Socrates? Has he
not a beautiful face?

Most beautiful, I said.

But you would think nothing of his face, he replied, if you could see his
naked form: he is absolutely perfect.

And to this they all agreed.

By Heracles, I said, there never was such a paragon, if he has only one
other slight addition.

What is that? said Critias.

If he has a noble soul; and being of your house, Critias, he may be
expected to have this.

He is as fair and good within, as he is without, replied Critias.

Then, before we see his body, should we not ask him to show us his soul,
naked and undisguised? he is just of an age at which he will like to talk.

That he will, said Critias, and I can tell you that he is a philosopher
already, and also a considerable poet, not in his own opinion only, but in
that of others.

That, my dear Critias, I replied, is a distinction which has long been in
your family, and is inherited by you from Solon. But why do you not call
him, and show him to us? for even if he were younger than he is, there
could be no impropriety in his talking to us in the presence of you, who
are his guardian and cousin.

Very well, he said; then I will call him; and turning to the attendant, he
said, Call Charmides, and tell him that I want him to come and see a
physician about the illness of which he spoke to me the day before
yesterday. Then again addressing me, he added: He has been complaining
lately of having a headache when he rises in the morning: now why should
you not make him believe that you know a cure for the headache?

Why not, I said; but will he come?

He will be sure to come, he replied.

He came as he was bidden, and sat down between Critias and me. Great
amusement was occasioned by every one pushing with might and main at his
neighbour in order to make a place for him next to themselves, until at the
two ends of the row one had to get up and the other was rolled over
sideways. Now I, my friend, was beginning to feel awkward; my former bold
belief in my powers of conversing with him had vanished. And when Critias
told him that I was the person who had the cure, he looked at me in such an
indescribable manner, and was just going to ask a question. And at that
moment all the people in the palaestra crowded about us, and, O rare! I
caught a sight of the inwards of his garment, and took the flame. Then I
could no longer contain myself. I thought how well Cydias understood the
nature of love, when, in speaking of a fair youth, he warns some one 'not
to bring the fawn in the sight of the lion to be devoured by him,' for I
felt that I had been overcome by a sort of wild-beast appetite. But I
controlled myself, and when he asked me if I knew the cure of the headache,
I answered, but with an effort, that I did know.

And what is it? he said.

I replied that it was a kind of leaf, which required to be accompanied by a
charm, and if a person would repeat the charm at the same time that he used
the cure, he would be made whole; but that without the charm the leaf would
be of no avail.

Then I will write out the charm from your dictation, he said.

With my consent? I said, or without my consent?

With your consent, Socrates, he said, laughing.

Very good, I said; and are you quite sure that you know my name?

I ought to know you, he replied, for there is a great deal said about you
among my companions; and I remember when I was a child seeing you in
company with my cousin Critias.

I am glad to find that you remember me, I said; for I shall now be more at
home with you and shall be better able to explain the nature of the charm,
about which I felt a difficulty before. For the charm will do more,
Charmides, than only cure the headache. I dare say that you have heard
eminent physicians say to a patient who comes to them with bad eyes, that
they cannot cure his eyes by themselves, but that if his eyes are to be
cured, his head must be treated; and then again they say that to think of
curing the head alone, and not the rest of the body also, is the height of
folly. And arguing in this way they apply their methods to the whole body,
and try to treat and heal the whole and the part together. Did you ever
observe that this is what they say?

Yes, he said.

And they are right, and you would agree with them?

Yes, he said, certainly I should.

His approving answers reassured me, and I began by degrees to regain
confidence, and the vital heat returned. Such, Charmides, I said, is the
nature of the charm, which I learned when serving with the army from one of
the physicians of the Thracian king Zamolxis, who are said to be so skilful
that they can even give immortality. This Thracian told me that in these
notions of theirs, which I was just now mentioning, the Greek physicians
are quite right as far as they go; but Zamolxis, he added, our king, who is
also a god, says further, 'that as you ought not to attempt to cure the
eyes without the head, or the head without the body, so neither ought you
to attempt to cure the body without the soul; and this,' he said, 'is the
reason why the cure of many diseases is unknown to the physicians of
Hellas, because they are ignorant of the whole, which ought to be studied
also; for the part can never be well unless the whole is well.' For all
good and evil, whether in the body or in human nature, originates, as he
declared, in the soul, and overflows from thence, as if from the head into
the eyes. And therefore if the head and body are to be well, you must
begin by curing the soul; that is the first thing. And the cure, my dear
youth, has to be effected by the use of certain charms, and these charms
are fair words; and by them temperance is implanted in the soul, and where
temperance is, there health is speedily imparted, not only to the head, but
to the whole body. And he who taught me the cure and the charm at the same
time added a special direction: 'Let no one,' he said, 'persuade you to
cure the head, until he has first given you his soul to be cured by the
charm. For this,' he said, 'is the great error of our day in the treatment
of the human body, that physicians separate the soul from the body.' And
he added with emphasis, at the same time making me swear to his words, 'Let
no one, however rich, or noble, or fair, persuade you to give him the cure,
without the charm.' Now I have sworn, and I must keep my oath, and
therefore if you will allow me to apply the Thracian charm first to your
soul, as the stranger directed, I will afterwards proceed to apply the cure
to your head. But if not, I do not know what I am to do with you, my dear

Critias, when he heard this, said: The headache will be an unexpected gain
to my young relation, if the pain in his head compels him to improve his
mind: and I can tell you, Socrates, that Charmides is not only pre-eminent
in beauty among his equals, but also in that quality which is given by the
charm; and this, as you say, is temperance?

Yes, I said.

Then let me tell you that he is the most temperate of human beings, and for
his age inferior to none in any quality.

Yes, I said, Charmides; and indeed I think that you ought to excel others
in all good qualities; for if I am not mistaken there is no one present who
could easily point out two Athenian houses, whose union would be likely to
produce a better or nobler scion than the two from which you are sprung.
There is your father's house, which is descended from Critias the son of
Dropidas, whose family has been commemorated in the panegyrical verses of
Anacreon, Solon, and many other poets, as famous for beauty and virtue and
all other high fortune: and your mother's house is equally distinguished;
for your maternal uncle, Pyrilampes, is reputed never to have found his
equal, in Persia at the court of the great king, or on the continent of
Asia, in all the places to which he went as ambassador, for stature and
beauty; that whole family is not a whit inferior to the other. Having such
ancestors you ought to be first in all things, and, sweet son of Glaucon,
your outward form is no dishonour to any of them. If to beauty you add
temperance, and if in other respects you are what Critias declares you to
be, then, dear Charmides, blessed art thou, in being the son of thy mother.
And here lies the point; for if, as he declares, you have this gift of
temperance already, and are temperate enough, in that case you have no need
of any charms, whether of Zamolxis or of Abaris the Hyperborean, and I may
as well let you have the cure of the head at once; but if you have not yet
acquired this quality, I must use the charm before I give you the medicine.
Please, therefore, to inform me whether you admit the truth of what Critias
has been saying;--have you or have you not this quality of temperance?

Charmides blushed, and the blush heightened his beauty, for modesty is
becoming in youth; he then said very ingenuously, that he really could not
at once answer, either yes, or no, to the question which I had asked: For,
said he, if I affirm that I am not temperate, that would be a strange thing
for me to say of myself, and also I should give the lie to Critias, and
many others who think as he tells you, that I am temperate: but, on the
other hand, if I say that I am, I shall have to praise myself, which would
be ill manners; and therefore I do not know how to answer you.

I said to him: That is a natural reply, Charmides, and I think that you
and I ought together to enquire whether you have this quality about which I
am asking or not; and then you will not be compelled to say what you do not
like; neither shall I be a rash practitioner of medicine: therefore, if
you please, I will share the enquiry with you, but I will not press you if
you would rather not.

There is nothing which I should like better, he said; and as far as I am
concerned you may proceed in the way which you think best.

I think, I said, that I had better begin by asking you a question; for if
temperance abides in you, you must have an opinion about her; she must give
some intimation of her nature and qualities, which may enable you to form a
notion of her. Is not that true?

Yes, he said, that I think is true.

You know your native language, I said, and therefore you must be able to
tell what you feel about this.

Certainly, he said.

In order, then, that I may form a conjecture whether you have temperance
abiding in you or not, tell me, I said, what, in your opinion, is

At first he hesitated, and was very unwilling to answer: then he said that
he thought temperance was doing things orderly and quietly, such things for
example as walking in the streets, and talking, or anything else of that
nature. In a word, he said, I should answer that, in my opinion,
temperance is quietness.

Are you right, Charmides? I said. No doubt some would affirm that the
quiet are the temperate; but let us see whether these words have any
meaning; and first tell me whether you would not acknowledge temperance to
be of the class of the noble and good?


But which is best when you are at the writing-master's, to write the same
letters quickly or quietly?


And to read quickly or slowly?

Quickly again.

And in playing the lyre, or wrestling, quickness or sharpness are far
better than quietness and slowness?


And the same holds in boxing and in the pancratium?


And in leaping and running and in bodily exercises generally, quickness and
agility are good; slowness, and inactivity, and quietness, are bad?

That is evident.

Then, I said, in all bodily actions, not quietness, but the greatest
agility and quickness, is noblest and best?

Yes, certainly.

And is temperance a good?


Then, in reference to the body, not quietness, but quickness will be the
higher degree of temperance, if temperance is a good?

True, he said.

And which, I said, is better--facility in learning, or difficulty in


Yes, I said; and facility in learning is learning quickly, and difficulty
in learning is learning quietly and slowly?


And is it not better to teach another quickly and energetically, rather
than quietly and slowly?


And which is better, to call to mind, and to remember, quickly and readily,
or quietly and slowly?

The former.

And is not shrewdness a quickness or cleverness of the soul, and not a


And is it not best to understand what is said, whether at the writing-
master's or the music-master's, or anywhere else, not as quietly as
possible, but as quickly as possible?


And in the searchings or deliberations of the soul, not the quietest, as I
imagine, and he who with difficulty deliberates and discovers, is thought
worthy of praise, but he who does so most easily and quickly?

Quite true, he said.

And in all that concerns either body or soul, swiftness and activity are
clearly better than slowness and quietness?

Clearly they are.

Then temperance is not quietness, nor is the temperate life quiet,--
certainly not upon this view; for the life which is temperate is supposed
to be the good. And of two things, one is true,--either never, or very
seldom, do the quiet actions in life appear to be better than the quick and
energetic ones; or supposing that of the nobler actions, there are as many
quiet, as quick and vehement: still, even if we grant this, temperance
will not be acting quietly any more than acting quickly and energetically,
either in walking or talking or in anything else; nor will the quiet life
be more temperate than the unquiet, seeing that temperance is admitted by
us to be a good and noble thing, and the quick have been shown to be as
good as the quiet.

I think, he said, Socrates, that you are right.

Then once more, Charmides, I said, fix your attention, and look within;
consider the effect which temperance has upon yourself, and the nature of
that which has the effect. Think over all this, and, like a brave youth,
tell me--What is temperance?

After a moment's pause, in which he made a real manly effort to think, he
said: My opinion is, Socrates, that temperance makes a man ashamed or
modest, and that temperance is the same as modesty.

Very good, I said; and did you not admit, just now, that temperance is

Yes, certainly, he said.

And the temperate are also good?


And can that be good which does not make men good?

Certainly not.

And you would infer that temperance is not only noble, but also good?

That is my opinion.

Well, I said; but surely you would agree with Homer when he says,

'Modesty is not good for a needy man'?

Yes, he said; I agree.

Then I suppose that modesty is and is not good?


But temperance, whose presence makes men only good, and not bad, is always

That appears to me to be as you say.

And the inference is that temperance cannot be modesty--if temperance is a
good, and if modesty is as much an evil as a good?

All that, Socrates, appears to me to be true; but I should like to know
what you think about another definition of temperance, which I just now
remember to have heard from some one, who said, 'That temperance is doing
our own business.' Was he right who affirmed that?

You monster! I said; this is what Critias, or some philosopher has told

Some one else, then, said Critias; for certainly I have not.

But what matter, said Charmides, from whom I heard this?

No matter at all, I replied; for the point is not who said the words, but
whether they are true or not.

There you are in the right, Socrates, he replied.

To be sure, I said; yet I doubt whether we shall ever be able to discover
their truth or falsehood; for they are a kind of riddle.

What makes you think so? he said.

Because, I said, he who uttered them seems to me to have meant one thing,
and said another. Is the scribe, for example, to be regarded as doing
nothing when he reads or writes?

I should rather think that he was doing something.

And does the scribe write or read, or teach you boys to write or read, your
own names only, or did you write your enemies' names as well as your own
and your friends'?

As much one as the other.

And was there anything meddling or intemperate in this?

Certainly not.

And yet if reading and writing are the same as doing, you were doing what
was not your own business?

But they are the same as doing.

And the healing art, my friend, and building, and weaving, and doing
anything whatever which is done by art,--these all clearly come under the
head of doing?


And do you think that a state would be well ordered by a law which
compelled every man to weave and wash his own coat, and make his own shoes,
and his own flask and strigil, and other implements, on this principle of
every one doing and performing his own, and abstaining from what is not his

I think not, he said.

But, I said, a temperate state will be a well-ordered state.

Of course, he replied.

Then temperance, I said, will not be doing one's own business; not at least
in this way, or doing things of this sort?

Clearly not.

Then, as I was just now saying, he who declared that temperance is a man
doing his own business had another and a hidden meaning; for I do not think
that he could have been such a fool as to mean this. Was he a fool who
told you, Charmides?

Nay, he replied, I certainly thought him a very wise man.

Then I am quite certain that he put forth his definition as a riddle,
thinking that no one would know the meaning of the words 'doing his own

I dare say, he replied.

And what is the meaning of a man doing his own business? Can you tell me?

Indeed, I cannot; and I should not wonder if the man himself who used this
phrase did not understand what he was saying. Whereupon he laughed slyly,
and looked at Critias.

Critias had long been showing uneasiness, for he felt that he had a
reputation to maintain with Charmides and the rest of the company. He had,
however, hitherto managed to restrain himself; but now he could no longer
forbear, and I am convinced of the truth of the suspicion which I
entertained at the time, that Charmides had heard this answer about
temperance from Critias. And Charmides, who did not want to answer
himself, but to make Critias answer, tried to stir him up. He went on
pointing out that he had been refuted, at which Critias grew angry, and
appeared, as I thought, inclined to quarrel with him; just as a poet might
quarrel with an actor who spoiled his poems in repeating them; so he looked
hard at him and said--

Do you imagine, Charmides, that the author of this definition of temperance
did not understand the meaning of his own words, because you do not
understand them?

Why, at his age, I said, most excellent Critias, he can hardly be expected
to understand; but you, who are older, and have studied, may well be
assumed to know the meaning of them; and therefore, if you agree with him,
and accept his definition of temperance, I would much rather argue with you
than with him about the truth or falsehood of the definition.

I entirely agree, said Critias, and accept the definition.

Very good, I said; and now let me repeat my question--Do you admit, as I
was just now saying, that all craftsmen make or do something?

I do.

And do they make or do their own business only, or that of others also?

They make or do that of others also.

And are they temperate, seeing that they make not for themselves or their
own business only?

Why not? he said.

No objection on my part, I said, but there may be a difficulty on his who
proposes as a definition of temperance, 'doing one's own business,' and
then says that there is no reason why those who do the business of others
should not be temperate.

Nay (The English reader has to observe that the word 'make' (Greek), in
Greek, has also the sense of 'do' (Greek).), said he; did I ever
acknowledge that those who do the business of others are temperate? I
said, those who make, not those who do.

What! I asked; do you mean to say that doing and making are not the same?

No more, he replied, than making or working are the same; thus much I have
learned from Hesiod, who says that 'work is no disgrace.' Now do you
imagine that if he had meant by working and doing such things as you were
describing, he would have said that there was no disgrace in them--for
example, in the manufacture of shoes, or in selling pickles, or sitting for
hire in a house of ill-fame? That, Socrates, is not to be supposed: but I
conceive him to have distinguished making from doing and work; and, while
admitting that the making anything might sometimes become a disgrace, when
the employment was not honourable, to have thought that work was never any
disgrace at all. For things nobly and usefully made he called works; and
such makings he called workings, and doings; and he must be supposed to
have called such things only man's proper business, and what is hurtful,
not his business: and in that sense Hesiod, and any other wise man, may be
reasonably supposed to call him wise who does his own work.

O Critias, I said, no sooner had you opened your mouth, than I pretty well
knew that you would call that which is proper to a man, and that which is
his own, good; and that the makings (Greek) of the good you would call
doings (Greek), for I am no stranger to the endless distinctions which
Prodicus draws about names. Now I have no objection to your giving names
any signification which you please, if you will only tell me what you mean
by them. Please then to begin again, and be a little plainer. Do you mean
that this doing or making, or whatever is the word which you would use, of
good actions, is temperance?

I do, he said.

Then not he who does evil, but he who does good, is temperate?

Yes, he said; and you, friend, would agree.

No matter whether I should or not; just now, not what I think, but what you
are saying, is the point at issue.

Well, he answered; I mean to say, that he who does evil, and not good, is
not temperate; and that he is temperate who does good, and not evil: for
temperance I define in plain words to be the doing of good actions.

And you may be very likely right in what you are saying; but I am curious
to know whether you imagine that temperate men are ignorant of their own

I do not think so, he said.

And yet were you not saying, just now, that craftsmen might be temperate in
doing another's work, as well as in doing their own?

I was, he replied; but what is your drift?

I have no particular drift, but I wish that you would tell me whether a
physician who cures a patient may do good to himself and good to another

I think that he may.

And he who does so does his duty?


And does not he who does his duty act temperately or wisely?

Yes, he acts wisely.

But must the physician necessarily know when his treatment is likely to
prove beneficial, and when not? or must the craftsman necessarily know when
he is likely to be benefited, and when not to be benefited, by the work
which he is doing?

I suppose not.

Then, I said, he may sometimes do good or harm, and not know what he is
himself doing, and yet, in doing good, as you say, he has done temperately
or wisely. Was not that your statement?


Then, as would seem, in doing good, he may act wisely or temperately, and
be wise or temperate, but not know his own wisdom or temperance?

But that, Socrates, he said, is impossible; and therefore if this is, as
you imply, the necessary consequence of any of my previous admissions, I
will withdraw them, rather than admit that a man can be temperate or wise
who does not know himself; and I am not ashamed to confess that I was in
error. For self-knowledge would certainly be maintained by me to be the
very essence of knowledge, and in this I agree with him who dedicated the
inscription, 'Know thyself!' at Delphi. That word, if I am not mistaken,
is put there as a sort of salutation which the god addresses to those who
enter the temple; as much as to say that the ordinary salutation of 'Hail!'
is not right, and that the exhortation 'Be temperate!' would be a far
better way of saluting one another. The notion of him who dedicated the
inscription was, as I believe, that the god speaks to those who enter his
temple, not as men speak; but, when a worshipper enters, the first word
which he hears is 'Be temperate!' This, however, like a prophet he
expresses in a sort of riddle, for 'Know thyself!' and 'Be temperate!' are
the same, as I maintain, and as the letters imply (Greek), and yet they may
be easily misunderstood; and succeeding sages who added 'Never too much,'
or, 'Give a pledge, and evil is nigh at hand,' would appear to have so
misunderstood them; for they imagined that 'Know thyself!' was a piece of
advice which the god gave, and not his salutation of the worshippers at
their first coming in; and they dedicated their own inscription under the
idea that they too would give equally useful pieces of advice. Shall I
tell you, Socrates, why I say all this? My object is to leave the previous
discussion (in which I know not whether you or I are more right, but, at
any rate, no clear result was attained), and to raise a new one in which I
will attempt to prove, if you deny, that temperance is self-knowledge.

Yes, I said, Critias; but you come to me as though I professed to know
about the questions which I ask, and as though I could, if I only would,
agree with you. Whereas the fact is that I enquire with you into the truth
of that which is advanced from time to time, just because I do not know;
and when I have enquired, I will say whether I agree with you or not.
Please then to allow me time to reflect.

Reflect, he said.

I am reflecting, I replied, and discover that temperance, or wisdom, if
implying a knowledge of anything, must be a science, and a science of

Yes, he said; the science of itself.

Is not medicine, I said, the science of health?


And suppose, I said, that I were asked by you what is the use or effect of
medicine, which is this science of health, I should answer that medicine is
of very great use in producing health, which, as you will admit, is an
excellent effect.


And if you were to ask me, what is the result or effect of architecture,
which is the science of building, I should say houses, and so of other
arts, which all have their different results. Now I want you, Critias, to
answer a similar question about temperance, or wisdom, which, according to
you, is the science of itself. Admitting this view, I ask of you, what
good work, worthy of the name wise, does temperance or wisdom, which is the
science of itself, effect? Answer me.

That is not the true way of pursuing the enquiry, Socrates, he said; for
wisdom is not like the other sciences, any more than they are like one
another: but you proceed as if they were alike. For tell me, he said,
what result is there of computation or geometry, in the same sense as a
house is the result of building, or a garment of weaving, or any other work
of any other art? Can you show me any such result of them? You cannot.

That is true, I said; but still each of these sciences has a subject which
is different from the science. I can show you that the art of computation
has to do with odd and even numbers in their numerical relations to
themselves and to each other. Is not that true?

Yes, he said.

And the odd and even numbers are not the same with the art of computation?

They are not.

The art of weighing, again, has to do with lighter and heavier; but the art
of weighing is one thing, and the heavy and the light another. Do you
admit that?


Now, I want to know, what is that which is not wisdom, and of which wisdom
is the science?

You are just falling into the old error, Socrates, he said. You come
asking in what wisdom or temperance differs from the other sciences, and
then you try to discover some respect in which they are alike; but they are
not, for all the other sciences are of something else, and not of
themselves; wisdom alone is a science of other sciences, and of itself.
And of this, as I believe, you are very well aware: and that you are only
doing what you denied that you were doing just now, trying to refute me,
instead of pursuing the argument.

And what if I am? How can you think that I have any other motive in
refuting you but what I should have in examining into myself? which motive
would be just a fear of my unconsciously fancying that I knew something of
which I was ignorant. And at this moment I pursue the argument chiefly for
my own sake, and perhaps in some degree also for the sake of my other
friends. For is not the discovery of things as they truly are, a good
common to all mankind?

Yes, certainly, Socrates, he said.

Then, I said, be cheerful, sweet sir, and give your opinion in answer to
the question which I asked, never minding whether Critias or Socrates is
the person refuted; attend only to the argument, and see what will come of
the refutation.

I think that you are right, he replied; and I will do as you say.

Tell me, then, I said, what you mean to affirm about wisdom.

I mean to say that wisdom is the only science which is the science of
itself as well as of the other sciences.

But the science of science, I said, will also be the science of the absence
of science.

Very true, he said.

Then the wise or temperate man, and he only, will know himself, and be able
to examine what he knows or does not know, and to see what others know and
think that they know and do really know; and what they do not know, and
fancy that they know, when they do not. No other person will be able to do
this. And this is wisdom and temperance and self-knowledge--for a man to
know what he knows, and what he does not know. That is your meaning?

Yes, he said.

Now then, I said, making an offering of the third or last argument to Zeus
the Saviour, let us begin again, and ask, in the first place, whether it is
or is not possible for a person to know that he knows and does not know
what he knows and does not know; and in the second place, whether, if
perfectly possible, such knowledge is of any use.

That is what we have to consider, he said.

And here, Critias, I said, I hope that you will find a way out of a
difficulty into which I have got myself. Shall I tell you the nature of
the difficulty?

By all means, he replied.

Does not what you have been saying, if true, amount to this: that there
must be a single science which is wholly a science of itself and of other
sciences, and that the same is also the science of the absence of science?


But consider how monstrous this proposition is, my friend: in any parallel
case, the impossibility will be transparent to you.

How is that? and in what cases do you mean?

In such cases as this: Suppose that there is a kind of vision which is not
like ordinary vision, but a vision of itself and of other sorts of vision,
and of the defect of them, which in seeing sees no colour, but only itself
and other sorts of vision: Do you think that there is such a kind of

Certainly not.

Or is there a kind of hearing which hears no sound at all, but only itself
and other sorts of hearing, or the defects of them?

There is not.

Or take all the senses: can you imagine that there is any sense of itself
and of other senses, but which is incapable of perceiving the objects of
the senses?

I think not.

Could there be any desire which is not the desire of any pleasure, but of
itself, and of all other desires?

Certainly not.

Or can you imagine a wish which wishes for no good, but only for itself and
all other wishes?

I should answer, No.

Or would you say that there is a love which is not the love of beauty, but
of itself and of other loves?

I should not.

Or did you ever know of a fear which fears itself or other fears, but has
no object of fear?

I never did, he said.

Or of an opinion which is an opinion of itself and of other opinions, and
which has no opinion on the subjects of opinion in general?

Certainly not.

But surely we are assuming a science of this kind, which, having no
subject-matter, is a science of itself and of the other sciences?

Yes, that is what is affirmed.

But how strange is this, if it be indeed true: we must not however as yet
absolutely deny the possibility of such a science; let us rather consider
the matter.

You are quite right.

Well then, this science of which we are speaking is a science of something,
and is of a nature to be a science of something?


Just as that which is greater is of a nature to be greater than something
else? (Socrates is intending to show that science differs from the object
of science, as any other relative differs from the object of relation. But
where there is comparison--greater, less, heavier, lighter, and the like--a
relation to self as well as to other things involves an absolute
contradiction; and in other cases, as in the case of the senses, is hardly
conceivable. The use of the genitive after the comparative in Greek,
(Greek), creates an unavoidable obscurity in the translation.)


Which is less, if the other is conceived to be greater?

To be sure.

And if we could find something which is at once greater than itself, and
greater than other great things, but not greater than those things in
comparison of which the others are greater, then that thing would have the
property of being greater and also less than itself?

That, Socrates, he said, is the inevitable inference.

Or if there be a double which is double of itself and of other doubles,
these will be halves; for the double is relative to the half?

That is true.

And that which is greater than itself will also be less, and that which is
heavier will also be lighter, and that which is older will also be younger:
and the same of other things; that which has a nature relative to self will
retain also the nature of its object: I mean to say, for example, that
hearing is, as we say, of sound or voice. Is that true?


Then if hearing hears itself, it must hear a voice; for there is no other
way of hearing.


And sight also, my excellent friend, if it sees itself must see a colour,
for sight cannot see that which has no colour.


Do you remark, Critias, that in several of the examples which have been
recited the notion of a relation to self is altogether inadmissible, and in
other cases hardly credible--inadmissible, for example, in the case of
magnitudes, numbers, and the like?

Very true.

But in the case of hearing and sight, or in the power of self-motion, and
the power of heat to burn, this relation to self will be regarded as
incredible by some, but perhaps not by others. And some great man, my
friend, is wanted, who will satisfactorily determine for us, whether there
is nothing which has an inherent property of relation to self, or some
things only and not others; and whether in this class of self-related
things, if there be such a class, that science which is called wisdom or
temperance is included. I altogether distrust my own power of determining
these matters: I am not certain whether there is such a science of science
at all; and even if there be, I should not acknowledge this to be wisdom or
temperance, until I can also see whether such a science would or would not
do us any good; for I have an impression that temperance is a benefit and a
good. And therefore, O son of Callaeschrus, as you maintain that
temperance or wisdom is a science of science, and also of the absence of
science, I will request you to show in the first place, as I was saying
before, the possibility, and in the second place, the advantage, of such a
science; and then perhaps you may satisfy me that you are right in your
view of temperance.

Critias heard me say this, and saw that I was in a difficulty; and as one
person when another yawns in his presence catches the infection of yawning
from him, so did he seem to be driven into a difficulty by my difficulty.
But as he had a reputation to maintain, he was ashamed to admit before the
company that he could not answer my challenge or determine the question at
issue; and he made an unintelligible attempt to hide his perplexity. In
order that the argument might proceed, I said to him, Well then Critias, if
you like, let us assume that there is this science of science; whether the
assumption is right or wrong may hereafter be investigated. Admitting the
existence of it, will you tell me how such a science enables us to
distinguish what we know or do not know, which, as we were saying, is
self-knowledge or wisdom: so we were saying?

Yes, Socrates, he said; and that I think is certainly true: for he who has
this science or knowledge which knows itself will become like the knowledge
which he has, in the same way that he who has swiftness will be swift, and
he who has beauty will be beautiful, and he who has knowledge will know.
In the same way he who has that knowledge which is self-knowing, will know

I do not doubt, I said, that a man will know himself, when he possesses
that which has self-knowledge: but what necessity is there that, having
this, he should know what he knows and what he does not know?

Because, Socrates, they are the same.

Very likely, I said; but I remain as stupid as ever; for still I fail to
comprehend how this knowing what you know and do not know is the same as
the knowledge of self.

What do you mean? he said.

This is what I mean, I replied: I will admit that there is a science of
science;--can this do more than determine that of two things one is and the
other is not science or knowledge?

No, just that.

But is knowledge or want of knowledge of health the same as knowledge or
want of knowledge of justice?

Certainly not.

The one is medicine, and the other is politics; whereas that of which we
are speaking is knowledge pure and simple.

Very true.

And if a man knows only, and has only knowledge of knowledge, and has no
further knowledge of health and justice, the probability is that he will
only know that he knows something, and has a certain knowledge, whether
concerning himself or other men.


Then how will this knowledge or science teach him to know what he knows?
Say that he knows health;--not wisdom or temperance, but the art of
medicine has taught it to him;--and he has learned harmony from the art of
music, and building from the art of building,--neither, from wisdom or
temperance: and the same of other things.

That is evident.

How will wisdom, regarded only as a knowledge of knowledge or science of
science, ever teach him that he knows health, or that he knows building?

It is impossible.

Then he who is ignorant of these things will only know that he knows, but
not what he knows?


Then wisdom or being wise appears to be not the knowledge of the things
which we do or do not know, but only the knowledge that we know or do not

That is the inference.

Then he who has this knowledge will not be able to examine whether a
pretender knows or does not know that which he says that he knows: he will
only know that he has a knowledge of some kind; but wisdom will not show
him of what the knowledge is?

Plainly not.

Neither will he be able to distinguish the pretender in medicine from the
true physician, nor between any other true and false professor of
knowledge. Let us consider the matter in this way: If the wise man or any
other man wants to distinguish the true physician from the false, how will
he proceed? He will not talk to him about medicine; and that, as we were
saying, is the only thing which the physician understands.


And, on the other hand, the physician knows nothing of science, for this
has been assumed to be the province of wisdom.


And further, since medicine is science, we must infer that he does not know
anything of medicine.


Then the wise man may indeed know that the physician has some kind of
science or knowledge; but when he wants to discover the nature of this he
will ask, What is the subject-matter? For the several sciences are
distinguished not by the mere fact that they are sciences, but by the
nature of their subjects. Is not that true?

Quite true.

And medicine is distinguished from other sciences as having the subject-
matter of health and disease?


And he who would enquire into the nature of medicine must pursue the
enquiry into health and disease, and not into what is extraneous?


And he who judges rightly will judge of the physician as a physician in
what relates to these?

He will.

He will consider whether what he says is true, and whether what he does is
right, in relation to health and disease?

He will.

But can any one attain the knowledge of either unless he have a knowledge
of medicine?

He cannot.

No one at all, it would seem, except the physician can have this knowledge;
and therefore not the wise man; he would have to be a physician as well as
a wise man.

Very true.

Then, assuredly, wisdom or temperance, if only a science of science, and of
the absence of science or knowledge, will not be able to distinguish the
physician who knows from one who does not know but pretends or thinks that
he knows, or any other professor of anything at all; like any other artist,
he will only know his fellow in art or wisdom, and no one else.

That is evident, he said.

But then what profit, Critias, I said, is there any longer in wisdom or
temperance which yet remains, if this is wisdom? If, indeed, as we were
supposing at first, the wise man had been able to distinguish what he knew
and did not know, and that he knew the one and did not know the other, and
to recognize a similar faculty of discernment in others, there would
certainly have been a great advantage in being wise; for then we should
never have made a mistake, but have passed through life the unerring guides
of ourselves and of those who are under us; and we should not have
attempted to do what we did not know, but we should have found out those
who knew, and have handed the business over to them and trusted in them;
nor should we have allowed those who were under us to do anything which
they were not likely to do well; and they would be likely to do well just
that of which they had knowledge; and the house or state which was ordered
or administered under the guidance of wisdom, and everything else of which
wisdom was the lord, would have been well ordered; for truth guiding, and
error having been eliminated, in all their doings, men would have done
well, and would have been happy. Was not this, Critias, what we spoke of
as the great advantage of wisdom--to know what is known and what is unknown
to us?

Very true, he said.

And now you perceive, I said, that no such science is to be found anywhere.

I perceive, he said.

May we assume then, I said, that wisdom, viewed in this new light merely as
a knowledge of knowledge and ignorance, has this advantage:--that he who
possesses such knowledge will more easily learn anything which he learns;
and that everything will be clearer to him, because, in addition to the
knowledge of individuals, he sees the science, and this also will better
enable him to test the knowledge which others have of what he knows
himself; whereas the enquirer who is without this knowledge may be supposed
to have a feebler and weaker insight? Are not these, my friend, the real
advantages which are to be gained from wisdom? And are not we looking and
seeking after something more than is to be found in her?

That is very likely, he said.

That is very likely, I said; and very likely, too, we have been enquiring
to no purpose; as I am led to infer, because I observe that if this is
wisdom, some strange consequences would follow. Let us, if you please,
assume the possibility of this science of sciences, and further admit and
allow, as was originally suggested, that wisdom is the knowledge of what we
know and do not know. Assuming all this, still, upon further
consideration, I am doubtful, Critias, whether wisdom, such as this, would
do us much good. For we were wrong, I think, in supposing, as we were
saying just now, that such wisdom ordering the government of house or state
would be a great benefit.

How so? he said.

Why, I said, we were far too ready to admit the great benefits which
mankind would obtain from their severally doing the things which they knew,
and committing the things of which they are ignorant to those who were
better acquainted with them.

Were we not right in making that admission?

I think not.

How very strange, Socrates!

By the dog of Egypt, I said, there I agree with you; and I was thinking as
much just now when I said that strange consequences would follow, and that
I was afraid we were on the wrong track; for however ready we may be to
admit that this is wisdom, I certainly cannot make out what good this sort
of thing does to us.

What do you mean? he said; I wish that you could make me understand what
you mean.

I dare say that what I am saying is nonsense, I replied; and yet if a man
has any feeling of what is due to himself, he cannot let the thought which
comes into his mind pass away unheeded and unexamined.

I like that, he said.

Hear, then, I said, my own dream; whether coming through the horn or the
ivory gate, I cannot tell. The dream is this: Let us suppose that wisdom
is such as we are now defining, and that she has absolute sway over us;
then each action will be done according to the arts or sciences, and no one
professing to be a pilot when he is not, or any physician or general, or
any one else pretending to know matters of which he is ignorant, will
deceive or elude us; our health will be improved; our safety at sea, and
also in battle, will be assured; our coats and shoes, and all other
instruments and implements will be skilfully made, because the workmen will
be good and true. Aye, and if you please, you may suppose that prophecy,
which is the knowledge of the future, will be under the control of wisdom,
and that she will deter deceivers and set up the true prophets in their
place as the revealers of the future. Now I quite agree that mankind, thus
provided, would live and act according to knowledge, for wisdom would watch
and prevent ignorance from intruding on us. But whether by acting
according to knowledge we shall act well and be happy, my dear Critias,--
this is a point which we have not yet been able to determine.

Yet I think, he replied, that if you discard knowledge, you will hardly
find the crown of happiness in anything else.

But of what is this knowledge? I said. Just answer me that small question.
Do you mean a knowledge of shoemaking?

God forbid.

Or of working in brass?

Certainly not.

Or in wool, or wood, or anything of that sort?

No, I do not.

Then, I said, we are giving up the doctrine that he who lives according to
knowledge is happy, for these live according to knowledge, and yet they are
not allowed by you to be happy; but I think that you mean to confine
happiness to particular individuals who live according to knowledge, such
for example as the prophet, who, as I was saying, knows the future. Is it
of him you are speaking or of some one else?

Yes, I mean him, but there are others as well.

Yes, I said, some one who knows the past and present as well as the future,
and is ignorant of nothing. Let us suppose that there is such a person,
and if there is, you will allow that he is the most knowing of all living

Certainly he is.

Yet I should like to know one thing more: which of the different kinds of
knowledge makes him happy? or do all equally make him happy?

Not all equally, he replied.

But which most tends to make him happy? the knowledge of what past,
present, or future thing? May I infer this to be the knowledge of the game
of draughts?

Nonsense about the game of draughts.

Or of computation?


Or of health?

That is nearer the truth, he said.

And that knowledge which is nearest of all, I said, is the knowledge of

The knowledge with which he discerns good and evil.

Monster! I said; you have been carrying me round in a circle, and all this
time hiding from me the fact that the life according to knowledge is not
that which makes men act rightly and be happy, not even if knowledge
include all the sciences, but one science only, that of good and evil.
For, let me ask you, Critias, whether, if you take away this, medicine will
not equally give health, and shoemaking equally produce shoes, and the art
of the weaver clothes?--whether the art of the pilot will not equally save
our lives at sea, and the art of the general in war?

Quite so.

And yet, my dear Critias, none of these things will be well or beneficially
done, if the science of the good be wanting.


But that science is not wisdom or temperance, but a science of human
advantage; not a science of other sciences, or of ignorance, but of good
and evil: and if this be of use, then wisdom or temperance will not be of

And why, he replied, will not wisdom be of use? For, however much we
assume that wisdom is a science of sciences, and has a sway over other
sciences, surely she will have this particular science of the good under
her control, and in this way will benefit us.

And will wisdom give health? I said; is not this rather the effect of
medicine? Or does wisdom do the work of any of the other arts,--do they
not each of them do their own work? Have we not long ago asseverated that
wisdom is only the knowledge of knowledge and of ignorance, and of nothing

That is obvious.

Then wisdom will not be the producer of health.

Certainly not.

The art of health is different.

Yes, different.

Nor does wisdom give advantage, my good friend; for that again we have just
now been attributing to another art.

Very true.

How then can wisdom be advantageous, when giving no advantage?

That, Socrates, is certainly inconceivable.

You see then, Critias, that I was not far wrong in fearing that I could
have no sound notion about wisdom; I was quite right in depreciating
myself; for that which is admitted to be the best of all things would never
have seemed to us useless, if I had been good for anything at an enquiry.
But now I have been utterly defeated, and have failed to discover what that
is to which the imposer of names gave this name of temperance or wisdom.
And yet many more admissions were made by us than could be fairly granted;
for we admitted that there was a science of science, although the argument
said No, and protested against us; and we admitted further, that this
science knew the works of the other sciences (although this too was denied
by the argument), because we wanted to show that the wise man had knowledge
of what he knew and did not know; also we nobly disregarded, and never even
considered, the impossibility of a man knowing in a sort of way that which
he does not know at all; for our assumption was, that he knows that which
he does not know; than which nothing, as I think, can be more irrational.
And yet, after finding us so easy and good-natured, the enquiry is still
unable to discover the truth; but mocks us to a degree, and has gone out of
its way to prove the inutility of that which we admitted only by a sort of
supposition and fiction to be the true definition of temperance or wisdom:
which result, as far as I am concerned, is not so much to be lamented, I
said. But for your sake, Charmides, I am very sorry--that you, having such
beauty and such wisdom and temperance of soul, should have no profit or
good in life from your wisdom and temperance. And still more am I grieved
about the charm which I learned with so much pain, and to so little profit,
from the Thracian, for the sake of a thing which is nothing worth. I think
indeed that there is a mistake, and that I must be a bad enquirer, for
wisdom or temperance I believe to be really a great good; and happy are
you, Charmides, if you certainly possess it. Wherefore examine yourself,
and see whether you have this gift and can do without the charm; for if you
can, I would rather advise you to regard me simply as a fool who is never
able to reason out anything; and to rest assured that the more wise and
temperate you are, the happier you will be.

Charmides said: I am sure that I do not know, Socrates, whether I have or
have not this gift of wisdom and temperance; for how can I know whether I
have a thing, of which even you and Critias are, as you say, unable to
discover the nature?--(not that I believe you.) And further, I am sure,
Socrates, that I do need the charm, and as far as I am concerned, I shall
be willing to be charmed by you daily, until you say that I have had

Very good, Charmides, said Critias; if you do this I shall have a proof of
your temperance, that is, if you allow yourself to be charmed by Socrates,
and never desert him at all.

You may depend on my following and not deserting him, said Charmides: if
you who are my guardian command me, I should be very wrong not to obey you.

And I do command you, he said.

Then I will do as you say, and begin this very day.

You sirs, I said, what are you conspiring about?

We are not conspiring, said Charmides, we have conspired already.

And are you about to use violence, without even going through the forms of

Yes, I shall use violence, he replied, since he orders me; and therefore
you had better consider well.

But the time for consideration has passed, I said, when violence is
employed; and you, when you are determined on anything, and in the mood of
violence, are irresistible.

Do not you resist me then, he said.

I will not resist you, I replied.

End of this Project Gutenberg Etext of Charmides, by Plato

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